This book is a fun read for both veterans and newcomers to San Fermin. We follow Ray Mouton as he rambles through the streets, bars and barrios of Pamplona during a day at the Festival of San Fermin. His unique writing style effectively describes the flavor and feel of ambling through the Festival.

The photos are terrific and the layout and design of the book is professional and stylish. And for those of you that know Ray Mouton, a lawyer by trade, knows that he is not shy about expressing his opinions. He also shows his knowledge of the corrida and the encierro and his experience gathered during thirty plus years of participating in los sanfermines.

Some come to Pamplona in early July and fall in love with a festival, the Festival of San Fermin. Some poor souls go away without San Fermin capturing their heart. Many arrange their lives around their return to the eight days of Fiesta. This book is almost a love letter to Fiesta.

I recognize the feeling. I have not missed a day for over 25 years. Although slower, I still run with the bulls at every opportunity.

Ray Mouton enthusiastically came the first time and now returns time after time. Mouton presents a mix of factual and personal comments, reminiscences, and anecdotes about some of his friends. Through a personal prism, this book provides a good way to understand the attachment that someone can come to have to an annual event.

Those who return to Pamplona for the Fiesta of San Fermin year after year are a difficult group to describe. They are not macho thrill-seekers, though that's the way most of the Anglo world sees them. If you have ever been to Pamplona you will know that they are complex, articulate, friendly, acerbic, hospitable, loving, vainglorious, philosophical, generous, noble and maddening. That's the ex-pats, the genuine aficionados, the Hemingway-wannabees and the college-age wanderers in full backpacker regalia ---- Mouton has painted them exactly.

And what about the people of Pamplona-- grandmothers, fathers and sons who host this mad feria, this test of endurance, this descent and ascent into madness, year after year? It's their festival, after all, and they provide the energy and allegria that so many Americans, Germans and Frenchmen have found irresistably intoxicating. Allegria-- the spirit of Fiesta-- Dance, Song, Wine, Ceremony, Music, Food,-- Apartado, Encierro, and Corrida-- Mouton has got it all down here in this book. This is better than any guidebook, since Mouton tells you not the outward details of this eight-day flight into an Alternate Reality, but something of the soul of the Feria, and of Navarre, and of Life itself. This is a loving book, full of advice and humor and good spirits. A glance though its magnificent illustrations (photographs by some of the best, genuine lovers of the fiesta) will tell you that Mouton wants us to glimpse something more that a travelogue or a guidebook. Anyone who has visited Pamplona during Fiesta will recognize it all instantly. Mouton's love and enthusiasm are infectious.

Not a nostalgic fantasy, not a mere celebration of the corrida this is the Best Book to read before going to the Fiesta, --- "Pamplona" catches its shimmering essence.

This book is absolutely spellbinding and captivating in it's presentation that is both an excellent narrative and artistic with imagery to further enhance the experience. The editorial review here at Amazon by Kirkus Reviews is a good synopsis to get a good idea about the books contents. Also there are many sample pages available for your perusal. From a readers perspective this book is one to cherish after the reading experience is over. Carlos Fuentes presents the subject of Spain and it's influence on the new world with clarity and makes his points with the precision of a sugeon, clean and accurate. Beginning with the ancient imagery of the bull found in caves in Spain Fuentes begins his analysis showing how this imagery continues in the arts and culture in such diverse domains as the works of Goya and Picasso, advertisements for brandy and of course the Spanish spectacle of bullfighting. He picks and chooses his historical path, weaving through the centuries concluding with the the growth of Hispanic USA. The book is full oh historical facts, little known bits of information abound as Fuentes draws analogies that stimulate the mind, stimulating the reader to conclude further inferences. The book reminds me of Bronowski's "The Ascent of Man" only on a smaller scope, from a perspective that makes connections between Spain and Latin America as oppossed to the whole of humanity. The "mother" countries influence is expounded upon as only Fuentes can, his use of language is powerful, insightful and revealing all the while showing his keen intelligence and sharp eye for details. The accompanying artwork throughout the book is fantastic and helps the reader to further understand the subject. A moving narrative is delivered by Fuentes and I highly suggest this book to anyone interested in the history of Spain and it's long lasting influence in the Americas. A natural outcome of reading this book is to further explore one of the many topics introduced. Included is a complete lineage of Spanish succession detailing the various ruling families and marriages that created the kings and queens of Spain. Aslo there is an outstanding suggested bibliography. This is a superb book that stimulates the mind while you read and beyond.

This book is good for readers who are interested in Hispanic culture but don't know where to start looking for information. Carlos Fuentes introduces Latin America poetically and simply.

This is by far the best book I have encountered that deals with Spanish and Latin American culture. Fuentes is at once poetic and historically fluente. The book moves smoothly, and the subjects with which it deals (which may be made boring by a less skilled writer) always hold the reader's attention. It's better written in Spanish, but the translation is pretty good too. If you like any of Fuentes' other works, or are simply interested in Hispanic culrture and philosphy, buy this one.

It took me two read-throughs to properly appreciate this book. At first, it reads like 60s romance fiction, which is when it was originally written. Upon a second, more careful reading, the true (and very typical L'Engle) message comes through... Life's set-backs can rock us to the core, and we can take time to grieve, but we should not turn our back on Life and Love (of self, of others, etc.) and give in to Nothingness. Also of interest, in typical L'Engle "nepotism," (something I truly enjoy) there are scenes in this book that are referred to in another one of her books, _Certain Women_.

I started reading Madeleine L'engle's childrens' books when I was 10. Now that I'm I'm 16, I've started to read her adult books. All of them are excellent, and her work has never dissapointed me. She writes with emotion and beautiful vivid descriptions. I love her books! "Love Letters" is one of L'engle's best books. She portrays human emotions with honesty and compassion. Throughout this book I began to realize that true love wasn't perfect. True love suffers, and true love causes pain, but despite these facts, love it still beautiful. L'engle made me become part of each of the characters in the novel. I had compassion for the nun who found love for the first time, and I absoloutely fell in lvoe with Cotty and Patrick. I began to understand these characters and their individual plights, and how their lives had truely shaped who they were. L'engle shows her readers that people are truely a product of their upbringing. On a final note, a strongly reccomend this book! It completely swept me away!

This is one of my favorite L'Engle books! I'd put it into a category called the "Europe Collection". Also in this collection would be "And Both Were Young", and The Small Rain". Madeleine weaves a mesmerizing tapestry of Sr. Mariana Alcoforado, passionate Portuguese nun, and Cotty, frightened American changeling. A companion resource to this novel should be "The Letters of a Portuguese Nun," now out of print, but contains original artwork by Pablo Picasso. Mariana's story will catch our stomachs on the verge of somersaults. Tears come to my eyes,three cheers, L'Engle!!!

I was born in Portugal and came to the United States at the age of 6. Being able to speak and write the language fluently is something that I am very grateful to my parents for. However my one fault is the inability to convert the European to American measurements. Well my mother has a wonderful cookbook on traditional Portuguese cuisine but it is all in Portuguese. Therefor I decided to use the WEB to find a Portuguese cookbook with the recipes in English to avoid the conversion issue. Well, I found "Food Of Portugal" and figured why not order it and see. After all if I didn't like I would and could return it. That was months ago. I love this cookbook. It is the best Portuguese cookbook, with recipes in English, I have found so far. It has all of the traditinal dishes which I grew up eating and many more. I would recommend this book to anyone Portuguese or not. My sincere congratulations to the author for a job very well done.

Jean Anderson has a love affair with Portugal and the Portuguese, and this has translated into an extremely well researched and written book about a relatively unknown cuisine and culture. She not only provides clear, concise recipes, but even better, she explains the history of the cuisine, wine and culture of the country as well. This book would also be useful for the prospective visitor to Portugal, since Ms. Anderson intersperses her discussions with lodging and travel tips based on years of travel to the country.

My Luso-Americano husband bought me this cookbook when I expressed my desire to try to learn to cook Portuguese food for him like his mother and grandmother did. I pulled off a few good meals and loved reading about the country and the Portuguese way of life. A few years later we moved to Portugal to work there, and I found out for myself just how delicious virtually every dish really is! Jean Anderson's book became even more helpful to me, as I was able to translate the ingredients I was buying, understand the reason for combining certain flavors, and taste the original inspirations for Jean's choices. Portugal is one of the most beautiful countries in the world and its people (and cuisine) are friendly and accessible -- I wish everyone who wants to experience a truly unique culture would visit. It is NOT Spain or a poor imitation of Spain, and does not deserve to be lumped into all of those travelogues as if it were. We lived there for 4 1/2 years and I can tell you that Jean Anderson's recipes will give you as close a taste to being there as is possible! (Jean, if you're out there I'd love to compare notes some day -- please write to me!)

I spent two days in Madrid in November 2002 with this guidebook. I found it to be well-organized and readable, with photos accompanying the text. With this guide, it didn't take long to gain a basic understanding of the history of the city and the different neighborhoods. The restaurant listings were particularly helpful.

There were two downsides, in my opinion. One is that there is no pull-out map. The map pages are integrated with the rest of the book. Second, the prices in the book are given in pesetas, not in Euros. I found that hotels, restaurants, etc. were all quoting prices in Euros, making the guidebook slightly less user-friendly. Still, the printed prices seemed to give a good idea of relative cost.

Overall, a good guidebook, but be sure to pick up a map when you arrive in Madrid.

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Summary:
Every Dorling Kindersley Guide has been a great and interesting book... and delightful to have and use, even if you are not traveling to that location, but are only interested in learning more!

The Guides are well organized in a logical and easy to follow manner. They are beautifully illustrated, well developed with accurate information (it is unusual for hotel and restaurant information to be that accurate), have enough history to help the reader understand the people and cultural background, and have a lot of useful travel information and useable maps in the appendixes.

The really great attraction to this book is several fold; it is:
............Very complete
............Easy to read
............Beautifully and artistically completed
............Good shopping, safety and other tips
............Gorgeous photographs too numerous to list.

Specifics:
The guides are organized as follows:

How to use this guide
Introduction to Historical and Geographical information
Geographical Regions
Introduction to Madrid
............Putting Madrid on the Map
............History of Madrid
............Madrid at a Glance
............Madrid Through the Year

............Madrid Area by Area, each section includes:
........................Introduction to street by street area
........................Detailed pictorials of area buildings
........................Architectural drawings, pictures, cut-aways of buildings

........................Specific stops, historical monuments, churches, buildings, etc.

Madrid Sections Reviewed:
........................Old Madrid
........................Bourbon Madrid
........................Around La Castellana
........................Further Afield
........................Beyond Madrid

Travelers Needs - includes full list with rankings and notes
............Hotels
............Restaurants, cafes, bars
............Shopping
............Entertainment

............Outdoor activities

Survival Information
............Practical
........................Tourist info., Etiquete, Personal Security and Health
........................Currencies, Telephones, misc info.
............Travel Information (Getting to Madrid )
............Street Maps (Getting Around Madrid )

............General Index
............Phrase Book

Discussion:
The book begins with "Introducing Madrid", including a complete map, a review, the city's history, and Madrid thought the Year - including events, etc.

Areas with an "At a glance" overview, then has subsections of specific blocks, or forums, then specific locations, churches, historical monuments, bridges, galleries, etc.

Architectural reviews include various views, and cutaways; given greater understanding and better perspective. They are all attractive, if not works of art - honestly.

The travelers' Info. offers good and valid info. on prices, currencies, customs, important words, etc. I have used the reviews on hotel's restaurants and nightclubs, in most European cities, and Dorling has yet to disappoint me. I have found they were useful and accurate, and helpful with my touring and site decisions.

The books are so well thought-out that it has multiple maps, with various lookup tables, and the book's flaps are designed to be used as bookmarks for map pages.

Negative:
The only negative with this book is that it is substantial with good quality paper, and is therefore heavier than other travel books.

Conclusion:
Each book in this series is a great help, and beautiful collectible resource. As the President, CEO of an International Meeting Planning Corporation we have many resources and techniques to learn about places we have meetings / groups at as well as the cities and sights. But, as a traveler, this book really is top notch and I would recommend it to anyone going on a personal trip, or wanting to learn about a city, or location. We have used some of these books to augment our research to investigate cities for our groups.

I am an experienced traveler (30+ countries) who is nearing retirement and plan to travel extensively, who has recently become obsessed about finding "good" guidebooks. So this review is a comparison of the books I looked at for Madrid.

I started with the Insight Guide. I was seeking to get background, history, etc. The Insight Guides seem to vary enormously from one to the next in both quality and orientation. I think they are good for an entire country if you are trying to decide where in the country or what parts you want to see. I thought the guide for Madrid was useless. It provided very little information about the city or the culture. It seemed to be best if you were planning on moving to Madrid and wanted to find out the differences between the various suburban areas. I suggest you forget this one.

I looked at the Mini-Rough Guide. I didn't like the format and it was too terse for my taste. In my opinion, Rough Guide still needs to produce a guide for Madrid that is a regular, not a mini Rough Guide. The LP Guide to Madrid seemed pretty mediocre. The stiff covers also made it awkward to use or hold open to a particular page. The information and descriptions were inadequate compared to some other guides. The Eyewitness Guide to Madrid is, I think, the best overall guide to Madrid. (Generally I prefer Eyewitness guides for City's much more than as a guide for an entire country.) The maps are good, the pictures of the food and other items are very helpful. The hotels and restaurant sections were pretty good, but not great. If you are looking for hostels, you will need the LP guide. Eyewitness does not give great historical depth, but it gives you some, probably enough for most tourists. Guide Books are not the best source for detailed historical and cultural information anyway. The Time Out guide was almost like a tourist's yellow pages, primarily a listing of hotels, restaurants, sites, services, etc. It had the best listing of restaurants and hotels and covered all price ranges. It wasn't as good as Eyewitness is describing the things to see and do.

I ended up getting the Eyewitness Guide to use while sightseeing, supplemented by the Time Out Guide for picking hotels, restaurants and being able to look up things. Another reviewer recommended this same combination in order to visit Tapas bars. I'm not that much into Tapas, but I still think these two are the best combo. Eyewitness is not perfect, but it's the best one that I saw.

Incidentally, the Spain Rough and LP guides Madrid sections do not cover Madrid as well as the Madrid-only guides. You are looking at a 60-page section, compared to the Madrid-only guides of around 300 pages length.

After reading "Flanders" by Patricia Anthony, and loving it, I decided to read another of her books, and "God's Fires" was the one I found at the bookstore. The decision to purchase it is one that I will not regret, for it is a wonderful, and well-written, work of fiction. The year is 1662, and a feeble-minded but good-natured teenager reigns in Portugal, but the Inquisition actually rules. In a remote village strange sights appear, and an "acorn" crashes to earth, leaving two live, and one dead, "creatures". But what exactly are these beings, and what about the other signs and wonders appearing in the area? The Holy Office of the Church will get to the bottom of the mystery, or people will burn. This book shows the fine line between faith and fanaticism, courage and foolishness, and love and lust. The language is all that I had expected from the author of "Flanders", and the pure emotion of this book practically leaps off of the page at you. The Church, and certain clergymen, do not fare well in their portrayal, but then, the Church has much to apologise for concerning the Inquisition. As I said when I reviewed "Flanders", read this book!

A "star" falls from the sky near Quintas in Portugal during the days of the Inquisition and the town is shaken by rumours of miracles and an outbreak of blatant heresy---all of which we folk of the 20th century might instead leap to interpret in terms of a clash between modern science and our own popular UFO mythology, although of course our theologians and politicians would also find plenty to say. Likewise, Quintas becomes the focus of an urgent Holy Office investigation conducted by an incompatible, bickering team of harassed priests and secular lawyers whose views range from the skeptical to the credulous, the politically expedient to the mystical. The mentally retarded, adolescent King Afonso sets up camp near the fallen "acorn", convinced by telepathic dialogue with the damaged space-vessel's failing computer that God is granting him personal revelations about the nature of the universe. While the confused young king shocks the assembled clergy with his Galilean heresies, including a quaint though accurate (according to current astronomical tenets) description of the formation of the solar system, his brother Pedro mounts an efficient political coup and wrests the regency from Count Castelo Melhor. And two silent, passive, enigmatic aliens docilely allow themselves to be imprisoned, gazing upon their captors with huge, unfathomable black eyes. Imps, demons, angels, pygmies from Africa or Borneo, strange New World animals "catapulted" into Portugal by the Spanish foe in a fiendish plot to sow civil disorder?

Anthony's ruthless and provocative account of the imaginary happening provides a lucid demonstration of how the unprecedented and the mysterious can only be analyzed and (mis)understood in terms of the prevailing beliefs of the time---its religious and philosophical convictions, the state of its scientific knowledge, its political prejudices, its popular myths and superstitions.

But this is also a novel of great humanity, with a cast of well-drawn, sympathetic, and lifelike characters whose interplay is both tragic and exalting: the soul-searching Jesuit Manoel Pessoa, a rationalist without faith, who hopes at first to defuse the dangerous situation with a cursory proforma inquiry sparing the Quintans dire consequences; his lover Berenice, a herbalist of Jewish origin, who cures the town's sick and is shunned as a witch; the kindly old Franciscan Soares, who believes in the angels; the selfish and gluttonous Inquisitor-General Gomes, who overrides the tribunal with his authority to light the pyres; the tense mystic Bernardo; the enchantingly quixotic King Afonso. "God's Fires" is a story of passion and doomed lives written with insight, biting humour, and bitterness---a far larger book than its disguising science-fiction component would immediately suggest.

What a fine (if lengthy) novel. High themes and low farce combine in this genre-busting book. It ain't quite science fiction and it ain't quite historical fiction, but who cares? I would guess that fans of this book will enjoy "An Instance of the Fingerpost," and vice versa.

This book is a 1000+ page-turner. When I picked it up, I knew nothing about the Spanish Civil War. This book definitely remedied that. Hugh Thomas begins shortly before the outbreak of the war and tells the story through to its completion (essentially 1936-1939). It is somewhat long, but the story itself is so compelling and Thomas' writing so good that it sucked me in and moved along nicely.

I have only a couple of gripes. First, if someone wants a short introduction, this may not be the book. I am sure there are other titles out there that will give you the basic facts in less time. As I said, however, reading the book was entertaining enough that I did not mind at all. As an example of an interesting factoid that emerges from this book, it seems that a substantial portion of the treasure from America that Spain won in the 16th century was given to the Soviets for safe-keeping. It is still there.

Second, while the book is strong on narrative, it is a little bit weak in analysis. What is especially lacking is an understanding of the factors that led to the outbreak of war in the first place. The books starts with a short chapter describing Spain in the early 20th century and plunges directly into the events leading up to the war. While the suspense before the outbreak of the war is palpable, the basic question of why a country would degenerate into civil war is hardly touched. In fairness to the author, he may have deliberately chosen to focus on the war itself rather than its causes. On the other hand, the discussion about why the Nationalists defeated the Republicans is fairly good. Two factors stand out. First, the Republicans were crippled by in-fighting amongst the factions, a fact that is admirably discussed. Second, the Nationalists received substantial help from abroad.

Author background: I am not a historian, but have read a handful of books on Spanish history.

I very much enjoyed reading Hugh Thomas' work. He does and excellent job of sorting out the many and varied groups on both the left and the right who struggled for power during this terrible conflict.

In addition, I learned many things about the war that I never knew previously. For example, I was unaware as the extent of the persecution of the Roman Catholic Church in Spain during the war. Given that Spain is overwhelmingly Catholic I assumed the church passed thru the war relatively unscathed. How wrong I was.

Mr. Thomas paints a factual yet horrifying picture of how the so-called "republicans" who were in fact mostly communists, burned churches, raped nuns and tortured and executed priests. There are accounts of Catholic faithful being forced to swallow rosary beads, thrown down mine shafts and gored to death by bulls in bull fighting rings.

The most awful irony I learned was that the International Brigades, so glorified in the west, were responsible for many of the worst anti-Catholic atrocities. I was especially horrified to learn that these brigades titled themselves after such great men as George Washington and Abraham Lincoln.

Wherever your political sensibilities lie you will very much enjoy reading Mr. Thomas' well researched and well written book.

This 1994 edition (a 2nd or 3rd revision of the first edition put out c. 1980 I believe) is apparently not available because a newer revised edition is coming out in November 2001 with updated information no doubt--you should pick up this latest coming edition. Understanding the subject of the Spanish Civil War has been plagued by two major obstacles: 1) The use of the Spanish Civil war as merely a prelude to WWII by historians of the English speaking world, i.e., crudely lumping in Franco and the Nationalists as just a Spanish variation of Facism; this ignores the study of Spanish history in its own right and the unique and tragic facets of Iberian history; 2) The use and abuse of the Spanish Civil War as an ideological forum for anarchists and "Trotskyite" anti-Stalinist communists, again, mostly from the English speaking world. The biased accounts of Anglo/American/Canadian leftists of this period (as well as Hemingway's romanticized fiction) have distorted and confused the event in the eyes of the English-speaking world. Its good to see an English scholar clear up this mess. Thomas' account clearly delineates the various factions and their goals on both sides, pointing out that lack of unity and in-fighting of the various factions of the left-of-center Republican side (if "Republican" is even a proper term to use by the time the Stalinists were done with it) was probably more decisive in leading to its downfall than the outside pressure of the Nationalists (who were by no means unified in ideology, but greatly more cooperative amongst themselves than the Republicans). The "cowardly" stance of the Democratic Western countries is made understandable and must be seen in the context of their own instability and weakness of the time. In retrospect, any aid to Republican Spain would have probably only helped the Stalinist-controlled communists complete their strangle-hold on the Republican coalition government, the other factions--especially the anarchists--being severely and savagely purged by them (my own opinion). In any case, Thomas' outstanding research and balanced account of the event allows each reader to draw their own conclusion without undue ideological bias. If you read only one history of the Spanish Civil War, this is the one to have.

I do read the reader reviews on Amazon but never thought I would be writing one of my own. This book was so good I thought it needed some more help reaching book buyers, so here goes:

Joe Portugal is a 40 something actor in commercials in Los Angeles who belongs to a club devoted to cacti and succulents. He has the good fortune to be somewhat successful in his career, live in a paid-for house courtesy of his father, and have a best friend (who happens to be female). He has the bad fortune to be be house, plant and bird sitting for the club president when he discovers her dead in the shower with a broken euphorbia stuffed down her throat. Police detective Casillas seems to think Joe knows a bit too much about the victim and type of murder weapon (the euphorbia sap is quite poisonous) and follows Joe about as more murders are committed. It doesn't help Joe's case that the rest of the euphorbia shows up in his greenhouse while the detective is interviewing him the next day.

What I liked most about the book was that no one was phony- even in Los Angeles, people can be normal. Joe wasn't a caricature, neither was Gina (the female friend), nor the police. They weren't supermen- able to take a pounding and then pop up fresh as a daisy ready to run up Mt Everest. Joe's dad is a retired (due to prison time) enforcer who worries about Joe and asks a friend to "watch over" him as Joe continues to investigate the killings. The interactions between characters was lively, funny and true. The situations that develop aren't forced- the coincidences aren't too far out. Maybe it's because I've been suffering thru some really bad fiction recently, I don't know; but this book is a prime example of really good writing, fascinating real characters you get to care about (oh that phrase!) and a story that plain sucks you in until you *have* to know what happens next and who did it. And, for the record, I didn't guess who did it before it was revealed. My guess died second in the book

You will learn a great deal about cacti, euphorbias and poinsettias while reading the book. A wonderful botanical guide to the plants mentioned is included in the back of the book.

Is this a cozy? hmmm, maybe. No animals die in the book- unless you include some wasps.

I heartily recommend this book to anyone whoever tried to get a cactus to grow and hates wasps; and to anyone looking for a great read period!

Not your garden-variety mystery. A succulent little book, with a down-to-earth detective, a thorny problem, good plot, and very good and believable characters. I've written a longer review for our website and am posting this one as a personal favor to Nathan; however, I am recommending this book, not as a personal favor to him but to mystery lovers everywhere, whether you like plants or not. Don't waste thyme. Buy this book now!

I was a bit hesitant to buy this book, since I'm not really a "plant person". However, I'm certainly not a "horse person", but I always enjoy Dick Francis. Knowledge or enjoyment of succulents is not necessary to enjoy Nathan Walpow's first mystery novel featuring commercial actor Joe Portugal.

The book doesn't really fit into either the hard-boiled or cozy category: Joe Portugal may be an amateur sleuth, but there's lots of action to keep things moving. Wait until you have some spare time, because you won't want to stop reading until you find out whodunit.

First things first - _A God Strolling..._ was an engaging read. Previous reviewers have touched on the excellent development of setting and atmosphere, and I agree that de Carvalho pulls the reader into a colorful and complex representation of the Roman Empire at the precise moment it began to wane. The book is certainly worth reading for this reason alone, especially for those interested in historical fiction.

But above all, the book is a character study; the protagonist Quintius is its focus. As a character study, the book left me wanting a bit more - it's not the study of a strong and inspiring character as the other reviews here suggest. The N.Y. Times review above focuses on his "moral code, as well as a provocative meditation on the difficulty of leading a virtuous life in as era of tumultuous change." Quintius is a reluctant magistrate, forced into the seat of power by lazy demagogues who would rather not be burdened with responsibility. And though Quintius holds steadfastly to his perception of duty as a Roman citizen, his perception is out of step with the society around him. Rather than drawing strength from his convictions and being a strong ruler, he seems buffeted by the sea of events around him: political rivals, threats from without, the emerging Christian faith within his city, and a strange obsession with a female, Iunia.

In short this is not an inspiring story of the triumph of a moral soul, but a study of the torture of seeing things differently than the masses. If this was the author's desired effect, then the book is an unqualified success. However, I thought some of the tools used in reaching this end were under-developed. Quintius' obsession with Iunia drives the novel near the end, and I never understood the motivation for this relationship (admittedly, I guess neither did Quintius...). And ultimately, I hoped to see a development or substantial change in the protagonist in the end, and found little.

Readers who enjoy Jose Saramago will likely find de Carvalho interesting. I enjoyed reading the book. I don't know if I _liked_ the book. If you crave historical ambiance, or generating feelings of uneasiness in yourself, you will enjoy reading the book. I'm not sure if you'll _like_ it either, though...

Quite frankly, I was drawn to Carvalho's excellent novel by a combination of three factors: (1) The title was fascinating; (2) I am a sucker for fiction set in Roman times; and (3) the translator was Gregory Rabassa.

Picture to yourself a basically good men who was the magistrate of a small city in Roman Portugal (then called Lusitania) during the reign of Marcus Aurelius. Lucius Valerius Quintius is basically a good man who is left to his own devices because his social peers could not care to help shoulder the burden of governing.

But suddenly, news is heard of a large group of Moors that have crossed the Mediterranean and are pillaging Lusitanian towns. In addition, a small group of Christians is playing havoc with the local citizenry, who suspect them of cannibalism or worse. Quintius fortifies the town and helps to foil a Moorish attack, but he finds the Christians to be a stickier problem.

To begin with, he is fascinated by Iunia Cantaber, a well-born widow who, as leader of the Christian community, has a lemming drive toward martyrdom. The crises lead to an energizing of the citizenry, who begin to push Quintius farther than he wants and leads to a trial, which has a surprising outcome -- that I will not divulge -- and the outcome is that Quintius is forced to take on the Christians. After the trial, he takes the hint and surrenders his office to retire to his villa.

Christianity has suffered a setback in Tarcisis, but the God who strolls in the cool of an evening bides His time. A good men has been befuddled -- but isn't that always what happens in the political arena?

Carvalho's novel falls under the heading of light fiction. It partakes of a gentle irony that wears well through its length. The translation is by the great Gregory Rabassa, whose renderings of Latin-American fiction by Jorge Amado and Gabriel Garcia Marquez have made his name a standard of quality.

For a long time I have searched for historical fiction in an antique setting that is of the caliber of Bryher, Yourcenar, Graves, Duggan. So many current examples are modern projections, anachronistic, unlettered, or just the wrong voice. In this novel, I can happily say I have found a great work to accompany my favorites. Carvalho's narrator speaks authentically with that unique voice of his era, at once worldly-wise, oppressed by fate, caught in the inevitability of not being able to reconcile his world with his convictions.

Whatever you think of Orwell and his two most famous works, 1984 and Animal Farm can be set aside when reading "Homage to Catalonia". The book's most valuable asset is that it lends credibility to Orwell's rather strong political views that are so eloquently expressed in his other works. It is one thing to rail against Communism or Totalitarianism, it's another thing entirely to pick up a gun and do something about it at great risk to life and limb. The book in and of itself is not a great book. It is a description of a rather banal civil war that at times is pathetic, comical, and as with any war, ultimately sad when taken at face value. That it is a non-fiction account of the author's participation at Catalonia sets it aside from Orwell's other work. It has made a few top 100 lists, however, I struggled to find a justification for such a lofty ranking. If you are a fan of Orwell, Huxley, etc or are a fan of European history then this book will appeal. Absent such a range of interests, the (potential) reader is probably better off searching elsewhere for an engrossing novel. Ultimately, I enjoyed this book to the extent that it allows for a much deeper perspective on Orwell and his philosphies.

George Orwell's Homage to Catalonia is an amazing look at the Spanish Civil War from one of its participants written within six months of the incidents described. This is an important book for historians of the period as well as an important piece of writing for those who love the fiction and ideas of Orwell as one can easily see their development through his experiences in Spain. The sections on the fighting in Barcelona between the Anarchists and the Communists (instead of against their true enemy, the Fascicts) as well as the subsequent suppression of the POUM are among the most riveting. He is always clear about his personal biases and he is not writing as an historian but as an observer who has been betrayed yet is still hopeful. The flashes of humour are among the many surprises in this very personal account of the devastation of a country and the growth of a writer.

I actually wrote this an extra credit book report:
A Homage to Homage to Catalonia
Homage to Catalonia is an account of Orwell's personal story of his experience in the Spanish Civil War and some reflections on the complex political situations involved. He wrote it in 1938 (I think so; the introduction didn't bother to mention when it was actually written as its author was obviously not a historian), only months after his experience. The reader is put the exciting situation of Europe before World War II. The fact he was writing about contemporary subjects makes it all the more interesting, because he did not have the advantage of knowing what was going to happen next making his opinions of what should be done more valid.
I started reading the book thinking it was going to be about Orwell's disillusionment with Stalinist Russia. If he ever did admire the USSR, he does not admit to it. He does however admit to only joining the POUM because that was the first group he found, though I do not believe he would have ever joined what he referred to as a right-wing Socialist group (though he was tempted at one point, as it was the only way to get to Madrid). It is certain he was disillusioned by several other things. The degree to which USSR-backed groups were not revolutionary, but only wished to perpetuate the "bourgeoisie democracy" I think did surprise them. He thought that this antirevolutionary policy may have been detrimental to anti-Franco cause, because, for example, it meant the Moors of Morocco could not be effectively allied with. This policy was similar to the USSR insisting the Chinese Communists allied with the moderates long after this made sense, though there they had the excuse that unindustrialized China was not ready for a revolution. One thing Orwell was certainly disillusioned about was journalism, due to the coverage of the Spanish Civil War and its disparity with what he was witnessing. On both sides he found simplifications and outright lies.
Orwell obviously cannot be fully objective about the topic. However, he is a journalist and does try. Orwell sums up this possibly downfall fairly well in saying "... beware of my partisanship, my mistakes of fact and the distortion inevitably caused by my having seen only one corner of events." His politics can be described as Marxist. He thought that a revolution was the only way to help the proletariat; it could not happen within the constraints of democracy. Outside of some the political commentary, the book is in fact a primary document and in this respect it is good to read regardless of his subjectivity, as his opinions are valuable in their own right.
I traveled to Spain a few years ago and found I agreed with his reflections on Spanish culture. He pointed out from time to time things in "typical Spanish fashion." Orwell noted how laid-back the Spanish are, the word incompetent could almost be used. For instance, it was often a hassle to pay the bill at a restaurant. It is like they did not want our money. I had attributed this as a reaction to Fascism, though it apparently predated it. In one of his few optimistic statements, he predicted Fascism would not be as bad as in Italy and Germany because of the inefficiency of the Spanish culture; they would just not be able to pull it off. From the little I know of the following decades, this was more or less bore out.
Homage to Catalonia remains an excellent read to anyone interested into this facet of the Spanish Civil War or Stalinist foreign policy in general. It gives a first person account of the soldier's view of the war; I think a fairly average one. Most accounts of war seem to be by people who take down their story because something unique happened to them. Orwell was probably planning to write a book regardless. So Orwell complains much more about boredom then he does carnage, as he was stationed where both he and the Fascists did not have enough firepower to go on the offensive.